“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

BEAT is a story elaborated from your “Heart”. Viewers can experience the work with their hearts in their hands. The heart in the animation vibrates at the same pace at viewers' heartbeat. Viewers encounter a rusted robot, absolutely static. He doesn’t have a “heart” to move. Viewers can grant him a new heart by putting theirs on the robot. He then stands up and starts to move, expressing joy to live out all his strength. However, when he meets with new robots, he doesn’t know how to communicate properly. “Heart” becomes the key to move the story forward. The story aims to arouse consciousness of “Heart” via the growth of the robot.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
After his family fled to England after the Vietnam War, Kit returns home to Saigon.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.