Includes the songs: Djembe, Gratitude (Live), Sabotage, The Hurricane Freestyle, Triphamnmer, Skills To Pay The Bills (Live), Time For Living, Sabrosa, Something's Got to Give, Screaming At a Wall (Live), Namaste' (Live), Futterman's Rule, 5-Piece Chicken Dinner, Jimmy James, Conga + Bass, Mullethead, Ricky's Theme, and So What 'Cha Want (Live with Cypress Hill).
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
“There’s always something you can do…to make people feel like they’re welcome”
