Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

The ocean isn't the only thing rising. Muscles flex beneath the blazing sun. Hands roam a little longer than necessary. And when the crowd disappears... so does restraint. Huge cocks and heavy loads define these power tops and hungry power bottoms as they suck, fuck, and breed their way into the burning sunsets.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.