TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

In 1957, director Harold Daniels was hired by producer Michael A. Ripps to oversee BAYOU, a cheaply made, overly melodramatic tale of swamp life. The low budget film starred a pre-MISSION IMPOSSIBLE Peter Graves, Corman regular Jonathan Haze, and the effortlessly bizarre Timothy Carey. But despite this eclectic cast, BAYOU was a major flop at the box office. So Ripps recut the film, adding an off-camera rape scene and a new, bloody conclusion to its climatic fight. Of even greater importance was Ripp's new title: POOR WHITE TRASH.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
A man struggling with the death of his son agrees to coach his former high school basketball team.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.