A Useful Ghost: A New Modern Classic
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

These strong, slightly bashful boys are so great together. Mark McKenzie and Ryan Jordan can't resist each other's body. They start by enjoying their own body before Ryan has his mouth wrapped around Mark's dick. Claude talks with Nico and Colton Phobos a little bit before they strip down extremely quickly and get into some nice blowjob stuff. Of course, Colton jumps right on his partner when he can and slurps on that dick. As soon as the underwear comes off, Allen Lucas is hard as a rock. Although Zack Matthews has a lot of confidence, he was more reticent than veteran Allen. He realized this early and did a nice job easing Zack into the water. Ivan James starts out on his stomach, getting banged on the edge of the bed, and switches to his back so Arron can get a feel for how he likes to fuck. The guys jack their swollen meat poles alongside each other, sweaty and ready.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
This reboot of The Wonder Years is told from the lens of a Black man.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
'A Wrinkle In Time' combines fantasy and science fiction to bring the classic story to life.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.