Egos kidnaps the children of Information Supervisor Sakaguchi, Yoko and Kenichi. They then blackmail him into stealing the blueprints and completion status of the Battle Fever robo. Tetsuzan Shogun, who joined the Defense Department at the same time as Sakaguchi, is greatly concerned and confronts him. Sakaguchi escapes but vows to make amends. He appears at Egos factory, where they too are building a giant robo, and discloses a false timetable. When Egos orders them killed, Sakaguchi reveals dynamite strapped to his body. He backs away with his children and gets them to safety. He then returns to the factory, and blows himself up to destroy it. Unfortunately, his sacrifice is in vain, as their evil robo is already completed. But Battle Fever’s giant robo is also complete and ready to save the day!
Koichi Takemoto
Director
Kouki Tanioka
Masao Den / Battle Japan
Yuuhei Kurachi
Kyousuke Shida / Battle France
Yukio Itô
Kensaku Shiraishi / Battle Cossack
Kenji Ohba
Shirou Akebono / Battle Kenya
Diane Martin
Diane Martin / Miss America
Chiyonosuke Azuma
General Kurama Tetsuzan
Lisa Komaki
Diane Martin (voice)
Kenji Ushio
Commander Hedder
Masashi Ishibashi
Commandrr Hedder (second generation)
Noriko Hidaka
Keiko Nakahara
Yuri Tsukasa
Midori Aoba
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?