Battı Balık 

We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given. 

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say. 

For those tranquil houses with white fences, what is happening behind every closed door?