A police drama about the confrontations between the police and drug dealers in the city of Basra. The film includes many of Ahlam Wahbi’s songs in her early cinematic appearances. The film achieved great public success upon its screening in Baghdad and the governorates.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
A story of a magical dragon brings great representation for Chinese culture.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
