'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

After Stella the Storyteller leaves her suitcase in the treehouse, Barney and the children travel to France, Canada, and Mexico to find her. Meanwhile, Baby Bop and BJ fight over who gets to use the box, as Baby Bop wants to use it for a playhouse, and BJ wants to use it for a fort. When Barney and the children return, they find that BJ and Baby Bop are sharing the playhouse.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Slytherin is painted negatively for the traits the members of this house embody. Although Slytherin students are ambitious, cunning, and determined, they are more.
A direct fall into the white savior narrative