Barking Dogs Never Bite (2010)

Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.

‘Babylon’ is an exhilarating journey one has to brace themselves for

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.