Bare, also known as Bare: A Pop Opera, is a coming-of-age rock musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.
Calvin Remsberg
Director
Payson Lewis
Peter Simonds
Jonah Platt
Jason McConnell
Lindsay Pearce
Ivy Robinson
Katie Stevens
Nadia McConnell
Nathan Parrett
Matt Lloyd
Stephanie Andersen
Sister Chantelle/Virgin Mary
Alissa-Nicole Koblentz
Claire
John Griffin
Priest
Casey Hayden
Lucas Carter
Caitlin Ary
Tanya Garrett/Cherub
Katherine Washington
Kyra/Cherub
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.