Anant is a middle aged hearse-driver who brings corpses to the crematorium. He has little liking for the usual day to day routine and prefers to live along. He is and always has been fascinated by death. One day, Anant finds out his dead mother was part of a mysterious organization. He sets out to discover if everything he knew about his mother was a lie.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
