A man is unable to find a job. In his desperation, he plans to rob a bank together with a friend who works in a petrol station and feels tempted by the possibility of getting rich. Two different motivations drive these two good men into an immoral situation.
Werner Klingler
Director
Martin Held
Herbert Burkhardt
Hardy Krüger
Klaus Burkhardt, sein Bruder
Charles Regnier
Hartmann
Hildegard Grethe
Mrs. Burkhardt, die Mutter
Fritz Wagner
Hartmanns Komplice
Käte Alving
Margots Mutter
Nadja Tiller
Vera, Herberts Freundin
Helga Martin
Margot. Klaus' Freundin
Ernie Bieler
Carl de Vogt
Älterer Mann
Willi Endresser
Familienvater
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?