Luz de 'Cuatro Lunas'
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.

The only daughter of the Chief of a band of gypsies, Reshma is strangely drawn to the only son of a rich and wealthy man, Kunverji. Strangely enough also, she finds out that Kunverji has drawn a portrait of her's even before they met each other. When Kunverji looks into this further, he finds that both he and Reshma are lovers from a past birth, and they were fated to meet in this birth, as they were unable to wed each other in the last birth. This fascinates both of them, however, Reshma's and Kunverji's dads are furious at this, and attempt to make sure that the two are separated. Reshma has been promised to wed Shakti Singh; and Kunverji is to wed, Neha. Will these two lovers be separated again during this birth?
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.