'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Harris, a poor Bangladeshi worker in Malaysia, simply wants to return to his hometown to marry the love of his life. However, his leave is denied when his ruthless boss decides to confiscate his passport. Enter Hanguoren, a pro-Malaysian activist who preaches to his fellow countrymen to regain their home in its natural state without immigrants. And then there is Rina, the idealistic daughter of the boss who falls for Harris at first sight, as the trio gets embroiled in an energetic comedy of errors.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Set against the backdrop of the Jim Crow era, the film offers layered representation.