Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
“There’s always something you can do…to make people feel like they’re welcome”