Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
With a cast of exceptional and exclusively openly gay actors, "Boys In The Band" takes on themes of homophobia, racism, vanity, and substance abuse.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.