“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
Sam Levinson's latest film can't keep up with the excellence of its performances.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.