Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

After her mother’s disappearance, Andi Sanger hopes to land the lead role in the adaptation of her mother’s bestselling novel BANANAHEAD. But after discovering the haunting legacy within the walls of her familial home, her own aspirations threaten to tear her apart.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.