The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

The Balaton is the biggest shallow water lake in Central Europe. Although vacationers invade its coast every summer, the lake and its surroundings contain almost unbelievable natural treasures. The volcanoes, caves, tufaceous limestone stairs, sandhills and valleys are parts of the European Geopark Network, the moors are water habitats of international significance. Ground squirrels, wildcats, peregrines, ravens, mass-nesting egrets and herons, filber mice going on night adventures, asps doing wedding dance live here. The odd marriage of geology, wildlife and humans created this spectacular landscape.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
This reboot of The Wonder Years is told from the lens of a Black man.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.