
Johannes, a moderately successful musician, receives a visit from his daughter Clara, who lives with her mother in the Netherlands. Everything is prepared for one of their usual brief encounters: the guest room is aired out, and the bathroom has been haphazardly cleaned. Clara is just passing through anyway; she’s planning to travel on to Korea the next day. But when her flight is delayed, father and daughter suddenly have more time than they know how to fill. What happens when there’s suddenly space to truly connect? Johannes suggests spending a few days at the old family cabin by the Baltic Sea. What begins euphorically becomes a journey of discovery, where music plays the leading role.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!