A supertyphoon ravages the hometown of a family band composed of four boys, putting a halt to their musical pursuits. While taking refuge in a distant farmland, they meet a rich girl who offers to help them record their songs and have them played on the radio. Individual interests and trauma caused by the calamity test the unity of the band, as they struggle to make sense of life’s ironies and tragedies.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Friendships are tested when two girls have a crush on the popular boy at school.
