Badge of Honor (1934)

I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf,"  but all the more insightful, and much more animalistic at its core.