No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

Paris is being rocked by a wave of bomb blasts. Stuck in a video game, Sadim calls the players helpline from a phone booth. Laurence takes his call and talks him through it. But their virtual chit-chat turns to drama as one misunderstanding leads to another.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.