A psychotic and sadistic mob boss is infatuated with the young wife of his newlywed attorney, and he plots to get him out of the way so he can have her to himself.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
