Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Bad Class poster

Bad Class 

Ji-eun has a bad impression of men due to bad experiences with her father but her mom Hyeon-ah convinces her into getting tuition from an art student. Jeong-woo is surprised at how cold she is towards him but at the same time, there's tension between the two. Meanwhile, Hyeon-ah, who is afraid something might happen between the two, calls Jeong-woo in and suggests something but he confesses his love for Hyeon-ah instead. They have fallen into an unappropriate relationship and Ji-eun decides to give her mom a surprise.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Ji-eun has a bad impression of men due to bad experiences with her father but her mom Hyeon-ah convinces her into getting tuition from an art student. Jeong-woo is surprised at how cold she is towards him but at the same time, there's tension between the two. Meanwhile, Hyeon-ah, who is afraid something might happen between the two, calls Jeong-woo in and suggests something but he confesses his love for Hyeon-ah instead. They have fallen into an unappropriate relationship and Ji-eun decides to give her mom a surprise.

Rating:
Genre:Drama
Directed By:Han Dong-Ho
Written By:
In Theaters:
Box Office:

Runtime:106 minutes
Studio:

Articles You May Like


In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses