Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Backspace poster

Backspace 

Backspace is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Channel 9.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Backspace is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Channel 9.

Rating:
Genre:TV Movie
Directed By:Uday Bangali
Written By:Mehrab Jahid
In Theaters:
Box Office:$3,200
Runtime:40 minutes
Studio:Drik, Bangali Films, Factor Three Solutions

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood

Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding

Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.

Jo Moses