The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

"Taiwaskivi" Presents new cinematic work by four Swedish artists and a Finnish audiovisual group. Dynamic, consciousness-expanding and awareness-raising, these films range from minimalistic meditations, animated analyses, over ritualistic reverence and psychic soul searching, to primordial possession.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
This film’s ambition is betrayed by its lack of substance.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.