Babes with Blades (2018)

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.

Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.

The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.

Fjord, like its story, is not a conclusion, but a beginning.