On a Fun, but Bumpy, Road with Onward
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.

On an odyssey along the dusty roads of the Brazilian states of Piauí and Maranhão, the forró band Babaçu Love, managed by Tetéu (Lailtinho), faces the challenges of performing on makeshift stages in small towns across Northeastern Brazil. With the slogan, "The passion that burns in your heart," the story follows Diloura (Amanda Odillon), her mother Paraibana (Gisele Vasconcelos), and the kind-hearted Araújo (Alisson Emanoel). Diloura is seduced by the promises of her unscrupulous boyfriend, Ransquelson Ruschel (Whindersson Nunes), who convinces her to leave Babaçu Love and join the band Quiabo com Maxixe, managed by the swindler Capa Rato (Mano Silva). Meanwhile, Paraibana leads the struggle of the babaçu coconut breakers for fair labor rights, equality, and environmental preservation.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.