Trauma Personified: 2018's "Citizen Rose"
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.

Jun-mong (27, male), who quit his drag queen activity due to the eyes of his surroundings, is trying to get a job. In order to buy a new suit for the job interview, he sells the dress and wig he used for dragging on a used market. A person who wants to buy Jun-mong's goods appears and Jun-mong goes to Barbara Bar, a drag bar that he is familiar with, to transact directly with the person.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?