The Problem with Netflix's 'Red Notice'
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.

Asil, a childless software engineer, takes his wife Deniz and her cousin Efsun to his grandfather’s old village house, only to unleash a centuries‐old family curse of vengeful djinn tied to a tragic ancestor, which begins to possess them and drive them mad. Desperate, Asil enlists the village healer Döndü, whose botched exorcism only deepens the terror, leaving the family to wonder whether they can ever break the blood-bound curse.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
Minus Zero is better than the previous film in some ways, and inferior in other ways.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.