'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

Aya, a young Japanese war bride, arrives in a small Australian town during the 1950s. She and her husband, Frank, are very much in love. Yet somehow Aya still feels more comfortable with the Japanese-speaking Mac, a close friend of Frank's, whose wartime experiences left him with a deep regard for Japanese culture. But Frank wants Aya to forget her Japanese past. Aya finds work in a Japanese restaurant and has a short affair with an Australian-Japanese businessman. With her marriage falling apart, Aya leaves Frank.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
The second film takes us on Peter's journey to be understood.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."