¡Ay, mi madre! 

The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.

Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.

I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.

A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.

'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.