Docunight Presents: Iranian Women's Stories
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom

Fingal, the Celtic hero, betrayed to the Angles led by Aeric The Axe is murdered. Meanwhile, Roderich (Robert Jan Szemis), the governor of Strathclyde, preparing to make himself a king by marrying the daughter of the Leader of Ulster, Langoreth O'Neill. Roderich has his own daughter Melangall , who is a disappointment to him, banished to the farm of a serf in the loch lands. Fingal's daughter Ethne with the aide of retainer Domlech sets off after the Angles to avenge her father and seek help from the Picts. However, the Angles are having their own difficulties - their ship has been stolen by a Fresian merchant Aldric who had been held captive by Aeric.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.