‘Exhibiting Forgiveness’: Paint Through The Pain
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”

This love story between a Hindu boy, Rahul Sharma (Rahul Romy Sharma) and Muslim girl, Ghazal Siddiqui (Ambalika Sarkar) invokes the ‘Laila-Majnu’ track to drive home it’s legendary leanings. Unfortunately there’s really nothing much to recommend here save for a few lines of stinging thought-provoking dialogue.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.