Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

“El Chano” is a homeless man who wanders like a ghost through the streets of eastern Mexico City. Something hurts inside; for some reason has he abandoned himself to such misery. One day he meets an old acquaintance, Rosa, who asks him for a favor: “El Chano” must help her godson, accused by corrupted cops of sexual abuse and murder. He comes out of his lassitude and looks for ways to help the boy, but what can be done that is legal? Corruption, violence and inexorable fate are the main topics of Hari Sama’s third feature film that draws upon the power of sequence shot to tell this story.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
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