Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

After the unexpected death of her husband a new life begins for Toshiko. 30 years of a happy marriage seem to suddenly vanish as she finds out that her husband had lived a double life. Struggling between her anger and the chance to begin a new chapter for herself, she finds her life moving into unchartered waters as she faces her 60th birthday.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.