Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

Aviv Geffen, the grandson of legendary Moshe Dayan and number one Israeli rock list, is rapidly becoming a mythic figure himself. He was the last person to embrace Rabin before that controversial politician was assassinated. The charismatic, bisexual singer-songwriter has rapidly become the Jim Morrison or Bob Dylan of his country, a voice that represents peace and integrity for a troubled young generation. Concert footage, kinetically edited and brilliantly shot, reveals the depth of feeling that many Israelis have for Aviv: hip, youthful women and men are clearly enamored of his presence. Directed by Tomer Heymann, this feature documentary follows the life of Aviv Geffen, a controversial Israeli singer whose liberal upbringing led him to refuse to serve in the Israeli military. Over the last six years, Geffen has become a spokesperson for the country's youth, and this film chronicles the rise of his career, his family roots, and how he finds the inspiration to write music.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.