A close up observation of trees in Autumn, Winter, Spring and Summer, filmed in single stop frame motion on a clockwork Bolex using a 75mm and 25mm macro lens, where alternating pulsations of 24 still frames per second in image time, translate into optical syncopation. Each reel consists of over 3,500 images with mathematically planned sections, improvised cross rhythms, variations in colour, density, tree species and shape, with sequences following the Fibonacci series (Kren’s ‘Golden Section of film’) and countered with staggered 2:3; 4:3 rhythms. Part scored, part random and rough edged echoing the Japanese musical phenomenon. "wind in the trees"…
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
