Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Two young orphans in the Tirolian Mountains come under siege by a vicious band of hunters. Frightened of being separated by child services following the death of their mother, a self-sufficient 16-year-old girl and her 10-year-old brother - who hasn't spoken a word since seeing his father killed by the mayor - strive to live off the land in peace. Their innocence is shattered, however, when a group of hunters led by the mayor's son brutalizes and rapes the free-spirited girl. Later, when a well-meaning social services worker arrives too late to protect the terrorized siblings, the girl and her brother prepare to take a stand against their ruthless attackers.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.