After Norman fails to convince his father, a wealthy industrialist, with his brilliant business idea in the form of a chain of doughnut shops, the hopeful young entrepreneur is given an old tenement house to help him get started. He infiltrates the building incognito and finds a job as the unpopular houseboy. Norman realizes that all is not well with the quirky residents when he finds a dead Santa Claus from last year in the fireplace.
Peter Morlock
Director
Monty Arnold
Yorick D. Kallist
Micki Bertling
Wigbert Schlund
Herbert Feuerstein
Konrad
Michael Gahr
Waldorff
Eva Jacob
Die Jacob Sisters
Hannelore Jacob
Die Jacob Sisters
Johanna Jacob
Die Jacob Sisters
Sinja Kreuzberger
Liane Holland
Evelyn Künneke
Florence Cecil Asta
Lutz Mackensy
Richard Benedict
Manes Meckenstock
Dario Kael
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.