"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Austin Powers presents his own kind of shagadellic swinging shindig courtesy of MTV to promote his movie, Austin Powers International Man of Mystery. Edited in the style of 'Rowan & Martin's Laugh-In', Austin shows clips from his film, including a spotlight on Elizabeth Hurley and explains how he is adjusting to the nineties after being frozen for thirty years.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.