Gottfried and Markus are friends who have done everything together so far: School, vocational training with A-levels, time in the army. Markus' girlfriend Karin is also adored by Gottfried. Now they are about to leave for Dresden to study physics. At the last moment, Gottfried changes his mind. He stays and wants to become a home educator after picking up a runaway boy and bringing him back. Markus terminates his friendship, his parents and colleagues are stunned. But Gottfried enthusiastically puts his intention into practice. Karin turns more and more to him, and when he loses some children on an outing, Markus helps.
Evelyn Schmidt
Director
Till Kretzschmar
Gottfried Mopel
Arianne Borbach
Karin
Jörg Kleinau
Markus
Roland Hemmo
Heimleiter Bockholt
Heidemarie Schneider
Katharina
Gisela Rubbel
Frau Gerber
Monika Hildebrandt
Frau Schulz
Annekathrin Bürger
Gerda Mopel
Wilfried Pucher
Ernst Mopel
Ruth Reinecke
Frau Miethke
Jaecki Schwarz
Herr Miethke
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.