Auetu! A Capoeira Angola No Fio Da Navalha 

This is not a story of oppression but a story of liberation.

A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.

'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.