"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

A scientist seeking loot of the Nile regresses a woman to her past incarnation, a princess in ancient Egypt. (Edited from the Mexican horror film LA MOMIA AZTECA, and follows its general plot but with 36 minutes of new, American-made footage and English narration in lieu of dubbed dialogue for the original footage.)
Effortlessly beautiful and surprisingly tragic.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.