'The Killer,' Sponsored by...
David Fincher is back in his playpen, with a dark and chilling thriller.

Confined to his bed in an asylum for the criminally insane, Billy Boy Shrank is no ordinary man: he's a decomposing, moronic, telepathic cannibal. He's also a victim of unrequited love for Reena, an angry young punk, leader of a dedicated but fledgling all-girl rock group.
David Fincher is back in his playpen, with a dark and chilling thriller.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.