Raphael, a restaurant mandolin player with a limp, a father to support, and a lot of debt, accepts a job offered by his friend, Giardino, to play a serenade under an apartment window at the behest of a mysterious blonde. As he’s playing, a man high up on a balcony is pushed to his death. Raffaele is compelled to conduct his own investigation and becomes embroiled in a mystery involving a macabre secret...
Sergio Corbucci
Director
Marcello Mastroianni
Raffaele Capece
Ornella Muti
Lucia Navarro
Michel Piccoli
Victor Navarro
Zeudi Araya
Elizabeth
Capucine
Suor Angela
Peppino De Filippo
Natale Capece
Renato Pozzetto
Commissario Voghera
Elena Fiore
donna Filomena
Peppe Barra
Giardino
Maria Pia Cafiero
Leopard Suit Woman (uncredited)
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.