Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Vera Souroff, a young Russian girl, is kidnapped off the street and raped by one of three officers of the Czar's guard. The crime is brought to the attention of the Czar, but Vera cannot tell which of the three officers is the guilty man. The Czar orders Count Nicho, the eldest of the three, to marry the girl, turns over the trio’s fortunes to her and imprisons the men. When the revolution breaks out, at the risk of her own life, Vera saves her husband knowing he holds the key to the identity of her attacker.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.