At Santa Monica 1 

Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

Masterful satire that shines a light on the struggles of Black creatives.

The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time. 

"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.

“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.